Sure you have heard much about Czech republic called the "heart of Europe." Many foreign students has
already find out this incredible country with its historical cities and wonderful sightseeing's. Right
in this heart of Europe we prepare for you wide range of high quality seminars, workshops and educational
programs. Ofcourse, all of them are in English and our lectors are university professors, skilled producers,
movie directors and awarded screenwriters. Depending on kind of seminar or course they come from many
different countries - from Czech republic, from the USA and from Western Europe.
Most of our educational programs are connected also with additional events like networking parties, lunches
and of course also sightseeing's trips. Just in a few days you will get not only valuable knowledge of your
chosen professional course but you will meet lots of interesting people and enjoy the beauty of the Czech
republic.
We are very proud to announce 2003 Lew Hunters Superior Screenwriting Colony that will be organised the first
time in Europe by our company IFTA. You do not have to travel to the USA to enjoy this remarkable and best course
ever! You have just to move by bus or by car in to the heart of Europe, in to the Czech republic! We are very
pleased and honoured to have chance to organise this high quality event in May 2003 and in October 2003.
Except this event we offer you many other courses and workshops.
This is our courses, seminars and workshops offer (all events are held in English and require good knowledge of the English language):
A WRITERS SURVIVAL GUIDE
/Richard Krevolin/– Inspiring stories and tips on how to survive as a writer in a world that does not foster artistic creativity. For playwrights, screenwriters, novelists and other writers, this class will give you guerrilla tactics on how to make a living as a writer, lessons on perseverance, patience and persistence and how to sell what you write.
SCREENPLAY ADAPTATION
/Richard Krevolin/ – If you have a novel, short story, play or newspaper article that would make a great film, this class is for you. Professor Richard Krevolin will cover the process of making a screenplay out of your story as well as legal issues of adaptation and he will do it all in funny and interesting way.
PLAYWRITING
/Richard Krevolin/ – A comprehensive look at the world of theatre today. Professor Richard Krevolin will talk about the process of writing stageplays, as well as one person shows, the business of playwriting and the heartaches and happiness of working on stageplays.
ADVANCED SCREENWRITING WORKSHOP
/Richard Krevolin/ – This class will explore the more advanced aspects of character development, structure, dialogue and the business of screenwriting. Please bring a story synopsys or ten pages of your script and it will be developed in class.
INTRO TO SCREENWRITING
Prof. Krevolin will help each individual take their ideas for a movie and make them a reality. He will go over format, structure, character, dialogue and the business of screenwriting. No experience needed, bring a great movie idea and join him.
STRUCTURAL ANALYSIS OF WIZARD OF OZ
Prof. Richard Krevolin will do an advanced structural analysis of the classic film Wizard of Oz. For movie buffs and aspiring novelists, playwrights and screenwriters. Prof. Krevolin will break down his beloved film into three acts and demonstrate how it has established a classic structure that most stories today follow.
MASTER CLASS IN SCREENWRITING
Richard Krevolin, author, playwright, screenwriter and professor, will be offering an intimate (limited to 8 people) Master Class in screenwriting. The class will be modeled after his graduate level workshops conducted in the MFA Screenwriting Program as USCs School of Cinema – Television.
SREENWRITING: THE WHOLE PICTURE
With UCLA screenwriting chairman - An intensive one day lecture, seminar, and workshop for new and experienced film and television writers, agents, managers, producers, executives and all people who care about film and TV. Professor Walter discusses STORY, CHARACTER, IDENTITY, DIALOGUE, SCENE, THEME, and SETTING, and IN-CLASS EXERCISES treating STORY CRAFTING, SCENE ANALYSIS, PITCHING, CONFLICT and PROFESSIONAL NETWORKING. Other topics covered are EMOTIONAL STATEGIES and ATTITUDES including supporting your writing habit, WRITERS BLOCK and TACKLE, EGO, CRITICISM, REJECTION, ECSTASY, HEARTACHE, and SURVIVAL, and much, much more. Richard Walter, a member of the Writers Guild of America for over twenty-five years, is a writer of substantial professional experience throughout the media. He is a published novelist, and the author of two best selling screenwriting books. Richard Walter’s students dominate the national screenwriting competitions and work for all the major networks and studios. Among their film and television programs are: ROAD TO PERDITION, SUM OF ALL FEARS, ABOUT SCHMIDT, SPIRIT, MEN IN BLACK II, MY WIFE AND KIDS, A VIEW FROM THE TOP, THE PANIC ROOM, TERMINAL, DOWN AND UNDER, IMPOSTOR, SOULFOOD (Cable), TOMB RAIDER, EXIT WOUND, SEE SPOT RUN,THIRTEEN DAYS, GOSSIP, THE SIMPSONS, TOMCATS, AFFAIR OF THE NECKLACE, CHARLIES ANGELS, THE 6TH DAY, THE KID, GONE IN SIXTY SECONDS, FIGHT CLUB, MUSIC FROM THE HEART, THE HAUNTING, ELECTION, A WALK ON THE MOON, ARMAGEDDON, MASK OF ZORRO, DISTURBING BEHAVIOR, SNAKE EYES, FEAR & LOATHING IN LAS VEGAS, STAR SHIP TROOPERS, MEN IN BLACK, LOST WORLD, MISSION IMPOSSIBLE, TRUTH ABOUT CATS & DOGS, JURASSIC PARK, BEAUTIFUL GIRLS, EVERYBODY LOVES RAYMOND , plus many more. Important note: Professor Walter is willing to read the scripts of his students and refer them to agents and producers!
LEARNING TO WRITE A LOGLINE
The logline is not unlike copywriting…. In just a few sentences you must be able to tell your stories´ beginning, middle and end. Its what you leave behind after a pitch or what you include in a querry letter. Its what producers remember and rely on when they sell you, your pitch and, ultimately, your story to the “money men.”
THE QUEST FOR A WINNING QUERY LETTER
A hands on how to guide on composing the perfect and professional query letter. A query letter is the hook, line and sinker that will open the door to you and your script. Its the one-page proclamation that entices an agent and or producer to read your script and to get to know you.
If you want to take part in any of above mentioned courses or workshops, contact us on our e-mail address - just click on the envelope in the right coner of the screen. You may also reach us on our phone number: + 420 241 024 221 (you will be calling in to the Czech republic, Prague). On your request we will send you all information you need!
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